Coming soon. Nova is currently working on her debut novel for Crimson PulpFic.
What is pulp science fiction, and how does it connect to the Golden Age?
Pulp science fiction emerged in the 1920s-1950s through magazines printed on cheap wood-pulp paper. The genre began with Hugo Gernsback's Amazing Stories in April 1926—the first magazine dedicated entirely to what Gernsback called "scientifiction." These magazines featured tales of space exploration, alien encounters, futuristic technology, and scientific speculation that captured readers' imaginations and laid the foundation for modern science fiction.
The Golden Age of Science Fiction began in the late 1930s when John W. Campbell became editor of Astounding Science Fiction. The summer of 1939 marked its beginning: the July issue featured A.E. van Vogt's first published story and Isaac Asimov's first appearance in the magazine; August brought Robert A. Heinlein's debut story, "Life-Line." Campbell's editorship launched the careers of science fiction's most influential writers and elevated the genre from adventure tales to sophisticated speculation.
Amazing Stories (1926) was the first dedicated science fiction magazine. Astounding Stories (1930, later Astounding Science Fiction, now Analog) became the genre's most prestigious publication under John W. Campbell. Other major titles included Wonder Stories, Thrilling Wonder Stories, Startling Stories, and Planet Stories—which published space opera from writers like Ray Bradbury and Leigh Brackett. At the genre's peak, dozens of sci-fi magazines competed on newsstands.
The Golden Age produced science fiction's most legendary names: Isaac Asimov (Foundation series, I, Robot), Robert A. Heinlein (Starship Troopers, Stranger in a Strange Land), Arthur C. Clarke (2001: A Space Odyssey), Ray Bradbury (The Martian Chronicles), and A.E. van Vogt (Slan). Earlier pulp pioneers included E.E. "Doc" Smith (Lensman series) and Jack Williamson. These writers established science fiction's core themes: space exploration, artificial intelligence, time travel, and humanity's technological future.
Nova K. Stroud writes from the edge of tomorrow's event horizon, blending hard sci-fi concepts with the ethical dilemmas that defined the Golden Age. Like Asimov exploring robot consciousness or Clarke questioning humanity's place in the cosmos, Stroud asks: when the machines learn mercy, what happens to us? Her fiction builds worlds of bright metal and darker hearts—tech noir storytelling that honors pulp science fiction's tradition of using speculation to examine what it means to be human.